Philosophy IUP Essay Example | Topics and Well Written Essays - 750 words

Philosophy IUP - Essay Example 2. No picture can be able to depict that it has a pictorial form 3. It is not possible for a picture to portray that any other image owns a pictographic appearance. 4. It is not possible for a picture to portray its own pictorial form. Statements 2 and 3 can only be valid if a picture is corresponding to a particular item in reality; this is an statement that is still debatable. In to accept this requirement, a counter example to 2 and 3 is that a spatial picture is capable of depicting anything that is spatial. In this case, therefore, for a normality that is partial to be portrayed, it means that spatial structures of the picture imply the pictorial appearance of the picture. The spatial normality depicted means the spatial appearance is also portrayed. We represent facts about reality to ourselves through pictures. The elements a picture has correspond to the elements that a fact also has. These elements constitute the fact. For instance, if a fact is formed by the combination of three pictures, then the fact also represents the three pictures if its picture is also taken. The elements of the three pictures must also be seen in the picture of the fact as well; all combined in a particular similar way. This combination of the elements of the image is what the author referred to as the structure of the picture. The illustrative appearance is what enables a picture to be able to organize its elements or components in a given determinate way. A picture only displays its pictorial form. It is not able to depict the pictorial form. 2.712 is the conclusion of other sentences in the Tractatus. According to 2.171, â€Å"a picture cannot in any way depict a reality of the form it has. Consequently, a spatial picture only depicts anything that is spatial while colored pictures depict anything that is colored, and so on†. Following 2.712 is 2.713. it states that a picture is only represent its subject from outside its position. This means that the picture will sh ow something from a position outside its own. 2.714 goes on to say that a picture is not able to put itself out of its representational form. These three other statements from Tractatus are the only points with which the conclusion can be proven. The only thing that a picture has in common with the state of affairs it assumes is the pictorial form it owns. Any particular picture owns a pictographic appearance. Therefore, a picture is only able to depict a reality of the form it has as its own. Even though 2.171 only speak of only ‘form’, this ‘form’ could be taken to mean the pictorial form too. According to 2.173 and 2.714 ‘subject’ is highlighted to mean the normality, which the picture is to portray. In this case, a picture should portray the pictographic appearance it has in the normality available. Nonetheless, the pictographic appearance exists in the image just as it exists in an entity. This is also the same as structure exists in state of affairs. There is no appearance or form that exists past an object or on the exterior of an object. Similarly, no structure exists of the boundaries of a state of affairs. From the point of view 2.174 represents, we may say that the idea of the self is relevant. This states that it is not possible for a person to be conscious of his or her own consciousness from the point of the same consciousness. Analogously, it is not possible to see a person’s opinion if viewed from the very same opinion. Similarly, it is not plausible, and commonly known that anything that cannot be conceived is virtually impossible. The author of this book, states that each image has its appearance. Nonetheless, it is not possible for the picture to be able to put itself outside the representational

Visual Analysis Paper for Art Humanities Term Example | Topics and Well Written Essays - 1250 words

Visual Analysis for Art Humanities - Term Paper Example For instance, comprehension is improved greatly. It becomes more insightful and many people become interested in the message passed across1. A glance a clear visual analysis at the pieces of works by Pieter Bruegel, harvesters clearly portrays the plights of an ordinary or common man. The fact is, this is a true reflection of what happens world over, however much it may face suppression to suit the current humanism. This is so due to two possible reasons; either due to forced labour from the purported land owners or masters or by the circumstantial life challenges which includes economic constraints. Whatever the reason, it shows a basketful of challenges facing the ordinary man who has to struggle too much in order to survive and fit in the society. From the harvesters’ case, there is farming which is of a great thematic concern. It is natural to perform such duties as farming and this accords accreditation from both the traditional and supernatural commands. However, there is something very sceptical about this call. This is toil and it is supported by the individuals portrayed as exhausted and possibly taken away by a light nap. Others slightly off duty do so at the behest of the call of nature and that is for them to have a bite to keep them moving on. It shows that the struggles undergone by these so called farmers in order to get bountiful harvest; not in the sense of the word is excess. However much it may seem of a picnic, it depicts the realities of nature. That is, it makes the whole idea very natural, the time setting being appropriately manipulated. The terrain displays a beautiful landscape and the motivation exhibited by individual persons in the drawings is very real. There is nothing more appealing to the eye as a natural setting. The landscape shown in the drawing is ideal and is immensely handy in the art industry. Naturalness has brought more delight in the work of Pieter. It can be noted that the